#Subnautica game series
#Subnautica game free

вЂњItвЂ™s an alien planet, but itвЂ™s also very familiar and you could even say it feels friendly in places.вЂќ

вЂњOur level design team wanted to make a world that was more dense, more lush - that didnвЂ™t have these open expanses with not a lot happening.вЂќ Some of the inspirations for the visual aesthetics came from James CameronвЂ™s The Abyss, while PixarвЂ™s Finding Nemo also comes in, Kalina says, referencing the вЂњcolorful, lively feelingвЂќ to the environment.

#Subnautica game free

The world of Subnautica: Below Zero is vast and beautiful, with coral and deep sea life in every corner - which you, as the player, are free to explore, until you run out of oxygen and have to sprint to the surface, or enter a pod or sea truck. вЂњThat one is the more subtle one where weвЂ™re trying to remember not to be prescriptive and to give players space to interpret the experience in the way they want.вЂќ Something they focused on is making the alien sounds strange and unfamiliar - the goal was never to scare people directly, but to encourage them to wonder where a certain sound came from.

#Subnautica game series

Kalina, who grew up with game systems in his house from five years old and summons the open-world fantasy Ultima series as one of the most formative to his eventual career choice, explains that while Subnautica: Below Zero is about the вЂњthrillвЂќ of survival and discovery, a key element is also what players themselves make of it. ItвЂ™s a little bit of a balancing act where weвЂ™re trying to let the character have their moment and their response to the things happening in the world, but also not get in the way.вЂќ You also donвЂ™t want to emotionally neuter your characters. вЂњSometimes thereвЂ™s some dissonance there because maybe the character expresses an emotion that the player isnвЂ™t experiencing. On that note, he explains that the idea was to create a character who has her own motivations and is there for a very specific reason. вЂњI think one of the biggest challenges anytime you give voice to a player character, maybe more so in first-person games, is that thereвЂ™s just inherently a potential conflict between what IвЂ™m thinking as the player and what the player character thinks and is telling me about the experience theyвЂ™re having,вЂќ says Kalina. Along the way she must stay alive in the deep sea by cooking and curing fish in the fabricator and crafting essential tools. That started with having a protagonist with a voice and a personality.вЂќ The protagonist heвЂ™s speaking of is named Robin, a xenologist who travels to this deserted, dangerous planet to investigate the circumstances surrounding her sisterвЂ™s death. вЂњWe decided to switch it up and try our hand at a little bit more of a story-forward experience. 'Uncharted' Trailer: Watch Tom Holland as Adventurer Nathan DrakeДЇor Subnautica: Below Zero, Kalina shares some of the teamвЂ™s new approach.

вЂњThe first game had this narrative that was told mostly through audio logs left on the bottom of the ocean by people youвЂ™ll never meet, itвЂ™s kind of more passive.вЂќ Your player character has no voice, kind of an anonymous вЂevery person,вЂ™ survivor of a crashed landing and itвЂ™s very clear what your imperative is: to survive.вЂќ вЂњThe change in narrative focus was something from the very beginning that we opted into,вЂќ says game director David Kalina. From San Francisco-based developer Unknown Worlds, the game takes a different approach to its 2018 predecessor, Subnautica, with a more expansive story and a smaller map. Among the video games that has characterized the month of May for many players is Subnautica: Below Zero, an open-world underwater adventure set on a frozen planet.